The pre-publication hyperbole on S.J. Watson's Before I Go to Sleep has easily matched that of any fiction debut in recent memory, with accolades from luminaries such as Dennis Lehane, Mo Hayder and Val McDermid. So what's all the fuss about? The basic premise, that of an amnesia victim suffering from debilitating short-term memory loss, has been thoroughly mined in print (James Hilton's Random Harvest, G.H. Ephron's Amnesia) and cinema (50 First Dates, Memento). Where Watson diverges from the formula is in his exhaustive exploration of one woman's spiral into paranoia. Does Christine have a happy marriage, or is it a total sham? Does she have a son, and if so, did he die in Iraq, or is that just a figment of her overworked imagination? And what's up with her doctor, anyway? From early on, it is clear that her husband is not being entirely truthful with her, but to what end—Christine's well-being or something darker? On the sly, Christine begins keeping a journal, documenting the inconsistencies in the stories she is told by those she thought she could trust, leading to a showdown of epic proportions.

So, what's the verdict? Well, Before I Go to Sleep is unquestionably a suspenseful and gripping psychological thriller, relentlessly paced, but there are a couple of stumbling points that stretch taut the fabric of coincidence in the interest of furthering the plot. That said, the novel is a noteworthy debut indeed, and it's not difficult to see why this former British NHS worker has caused such a stir in literary circles.

SIBLINGS FOR HIRE
Patrick DeWitt's one-of-a-kind Western, The Sisters Brothers, has the trappings of a classic but an attitude that's decidedly contemporary. Charlie and Eli Sisters are brothers and guns for hire. When they're enlisted by a wealthy settler to locate and eliminate a prospector named Herman Kermit Warm, they leave Oregon for California, embarking on the adventure of a lifetime. In the foothills of the Sierras, they find Warm's prospecting claim, but along the way they encounter a variety of obstacles, including a group of crazed fur trappers, a witch and a bear. Their adventures are recounted by Eli, whose commentary infuses the novel with sensitivity and humanity. Shedding new light on old myths about frontier life, DeWitt's book has plenty of action, and his sharply etched characters, though rooted in tradition, stand firmly on their own.

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S.J. Watson's electrifying debut, Before I Go to Sleep, has all the makings of a classic thriller. At the center of the novel is Christine, an amnesiac who has lost her memory after a strange accident. Each day, her husband, Ben—whom she no longer recognizes—must supply Christine with the backstory of their life together. At the prompting of her doctor, Christine begins writing in a journal, an exercise that will hopefully spark her memory. When Christine discovers that she's written the words "Don't trust Ben" in her notebook, she feels the ground beneath her feet shift yet again. Faced with fresh misgivings about the past as well as the present, Christine finds herself struggling to navigate a daily existence that's marked by danger and doubt. Should she rely on Ben? And what, exactly, was the nature of her accident? Watson, who lives in London, writes with the assurance and polish of a seasoned author in his gripping first novel.

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The Weird Sisters, Eleanor Brown's wonderfully appealing first novel, tells the story of a trio of sisters, each named by their eccentric scholar-father for a character from Shakespeare. Raised in Barnwell, Ohio, a quiet college town, Rosalind, Cordelia and Bianca Andreas spent their childhood engrossed in books and listening to their pater quote the Bard. Once out of the nest, though, the girls have very different experiences: Cordelia hooks up with a painter in New Mexico and gets pregnant, while Bianca has legal and financial troubles in New York. Meanwhile, Rosalind, the levelheaded oldest, remains faithfully in Barnwell, working as a math teacher. When the sisters learn that their mother has cancer, they return home for an unexpected reunion. Their time in Barnwell proves to be a period of awakening as they learn all over again the importance of family. Brown's characters, like her prose style, are fresh and original.

Based upon a deceptively simple premise, Watson's debut novel unwinds as a story that is both complicated and compellingly hypnotic.

Every single morning of Christine's life is exactly the same as every other morning: She awakens next to a total stranger in a room she does not recognize, surrounded by objects she has never before seen. Christine remembers nothing of the day before and not much of the life she lived prior to these mornings. She remembers being a lithe 20-something, but awakens day after day in the body of a woman who is nearly 50, with sagging breasts and wrinkles. Most disturbing, though, is the older man she does not recognize beside her in bed. The man, who patiently explains that he is her husband, Ben, tells her how she has come to this terrible place. Christine, he says, was struck by an automobile and injured. Now she suffers from a type of amnesia that once she sleeps for the night wipes the slate from the previous day clean. When she awakens, she cannot recall her life or the people in it. Ben anticipates her questions, though, and has placed photos of himself and Christine around the bathroom mirror so that when she awakens in a panic, with a body and face that she cannot recognize, she will find the photos and begin once again to adjust to a world where she remembers nothing. But Christine is seeing a doctor behind Ben's back. His name is Dr. Nash, and he encourages her to keep a journal. It is through this journal that she begins to pick up the pieces of her life and who she was before she was injured. Watson writes in the first person, from the perspective of a woman, and the voice is surprisingly spot-on. The angst is unimaginable but palpable in this suspenseful story of a woman who can take nothing for granted.

Watson's pitch-perfect writing propels the story to a frenzied climax that will haunt readers long after they've closed the cover on this remarkable book.

Nearly strangled to death in her twenties, Christine awakens each morning with absolutely no memory of what happened then—or since. The stranger in her bed must explain that he is her husband, Ben. With the help of a doctor who determines to circumvent Ben, Christine starts a journal—though she must reread it each day, and the doctor must call to tell her where it is. The truth she uncovers is nothing like you'd expect. I've seen this debut, and, yes, it's a gripping, one-sitting psychological thriller. The publishers in 34 countries that have bought the rights, plus Ridley Scott, who's producing the film, can't all be wrong.

Christine Lucas suffers from a rare form of amnesia as the result of a vaguely defined accident. Each night as she sleeps, her near-term memory is wiped clean, and she awakens knowing little about who she is, where she is, or with whom she lives. Every day her husband, Ben, shares with her the same carefully rehearsed story of their long marriage and gently encourages her struggle to remember. She keeps a journal at the recommendation of her doctor and reads it each morning. As the journal grows, Christine begins to suspect that Ben is not telling her the complete truth about her accident, their son Adam, her successful career as a novelist, or the fire that destroyed the collection of family photos that might help her remember. It is only when she reconnects with an old friend that she learns the truth and escapes her increasingly frightening and violent captivity. VERDICT This debut novel takes an intriguingly fresh look at the amnesia-focused psychological thriller. Though the climax seems a bit hurried, this is nonetheless a captivating and highly suspenseful read, populated with believable characters who lead the reader through a taut, well-constructed plot. Movie rights have been sold to Ridley Scott. Gaslight fans take note. [For another thriller about memory problems, see Alice LaPlante's Turn of Mind; see also Barbara Hoffert's interview with Harper editor Claire Wachtel, who acquired Watson's novel (bit.ly/f2kP2T).—Ed.]—Susan Clifford Braun, Bainbridge Island, WA

Christine is another woman trying to reclaim a life gone to pieces. After a mysterious accident, she wakes up each morning with no memory. Her husband Ben repeatedly explains the details of their life together, but the next morning all is lost once again. One day Christine discovers that she has been keeping a journal and the terrifying words she has written there, "Don't trust Ben," throw everything into question. VERDICT Relentless pacing in Watson's intriguing debut psychological thriller draws the reader into Christine's race to figure out who to trust and how to recover her life.

Memories—real, false, and a bit of both—are at the heart of British author Watson's haunting, twisted debut. Christine Lucas awakens each morning in London with no idea who she is or why she's in bed with a strange man, until he tells her that his name is Ben and they've been married for 22 years. Slowly, Christine learns that she has amnesia and is unable to remember her past or retain new memories: every night when she falls asleep, the slate is wiped clean. Dr. Nash, her therapist, has encouraged her to write in a journal that she keeps secret from Ben. Christine realizes how truly tangled—and dangerous—her life is after she sees the words "don't trust Ben" written in her journal, whose contents reveal that the only person she can trust is herself. Watson handles what could have turned into a cheap narrative gimmick brilliantly, building to a chillingly unexpected climax. (June)